![]() But there is a core of sadness to the movie - Bay’s sympathies lie with individuals, not with the military industrial complex or its aims - if you’re willing to look for it. The source material does make the movie uncomfortable at times, especially the remove it has in relation to the Libyans who actually live in Benghazi. It’s an incredible technical display that feels in conversation with the chaos of Sam Peckinpah movies.Īt the end of the day, 13 Hours isn’t for everyone. The sounds are intense and immersive, too (deservedly earning a Sound Mixing Oscar nom). ![]() It’s Bay’s best digital work, shot by Dion Beebe ( Miami Vice) with crystal-clear colors and sharp sunlight amid the chaos of the assault. ![]() The cast is very game – John Krasinski is fine in the lead role, but character actors James Badge Dale, Max Martini, and Pablo Schreiber all excel in supporting roles - and it’s one of the best displays of Bay’s technical mastery of the medium and genre. Turns out, I just wasn’t ready for it.ġ3 Hours is a tense tactical military movie about soldiers defending an American diplomatic compound in Libya. ![]() When this movie came out in 2016, the last thing on Earth I wanted to do was watch a Michael Bay movie about Benghazi. Toussaint Eganīelly is available to stream on Criterion Channel.Ĭast: John Krasinski, James Badge Dale, Max Martini Belly is a genuinely fascinating time capsule of late-’90s experimental filmmaking that’s well worth experiencing. The movie was a critical and commercial bomb when it premiered in theaters, but in the decades since has grown into a cult favorite among audiences for its audacious aesthetic and a star-making performance from DMX, who at the time was mere weeks away from releasing the second of his first two Billboard 200-topping albums. Instead, Belly’s strengths are found in its visuals, which play out like a hallucinatory montage of music video vignettes sans music, with dark, shadowy silhouettes looming across spacious exteriors and ethereal interiors. The story, co-written by Williams and Nas, is far from the strongest element of the film. Escaping the cycle of violence and iniquity is easier said than done, however, as both men find themselves faced with the consequences of their past in the pursuit of a better future. As Bundy climbs way up through the criminal underworld, dodging police raids and cutting deals in Jamaica, Sincere begins to have a change of heart, choosing instead to pursue another way of life. Nas and DMX co-star as Sincere and Tommy “Bundy” Brown, two young street criminals who make their living sticking up rivals and dealing drugs in a hallucinatory version of New York. Belly, his feature debut (and only film as of this writing), is a synthesis of all these elements, resulting in a movie that taps directly into the zeitgeist of hip-hop’s mainstream ascendance. ![]() With a career spanning as far back as the early ’90s, the graffiti artist turned filmmaker has worked with some of the most genre-defining acts in hip-hop, from A Tribe Called Quest to Outkast, carving out the prevailing visual language of rap videos through his characteristic blend of canted wide-angle shots, stark saturated lighting, and slow-motion transitions. Hype Williams is one of the most prolific music video directors of all time. Image: Big Dog Films/Artisan Entertainment ![]()
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